Call: Thirteenth International Conference on The Image: Here Comes the Metaverse…

CALL FOR PAPERS

The Thirteenth International Conference on The Image – A conference organized by the Image Research Network at The University of Texas at Austin, Austin, United States
Special Focus: Here Comes the Metaverse: Designing the Virtual and the Real
Place: Online and The University of Texas at Austin, Austin, Texas, United States
Format: A mix of live, pre-recorded, and in-person (at a scale that’s allowed) presentations and social interaction spaces.
Dates: 28-29 September 2022
https://ontheimage.com/2022-conference
https://ontheimage.com/2022-conference/call-for-papers

Early Proposal deadline:  28 February 2022
Regular Proposal deadline:  28 June 2022
Late Proposal deadline:  28 August 2022

Founded in 2010, The Image Research Network is brought together around a shared interest in the nature and function of image making and images. We seek to build an epistemic community where we can make linkages across disciplinary, geographic, and cultural boundaries. As a Research Network, we are defined by our scope and concerns and motivated to build strategies for action framed by our shared themes and tensions.

The Thirteenth International Conference on The Image calls for research addressing the following annual themes and special focus:

Special Focus – Here Comes the Metaverse: Designing the Virtual and the Real

A metaverse is coming. This metaverse offers a vision of a fully integrated, fully immersive, virtual digital world that we enter to work and play; a new digital space in which we can build new social systems, commercial horizons, and infrastructure projects; a digital terra nullius.

Does this sound like the stuff of science fiction? It’s not. The metaverse already animates a corporate vision of what the next stage of digital life might be. Mark Zuckerberg, the poster child of this vision, proclaims the metaverse to be the future of Facebook and their VR headset company Oculus. “We want to get as many people as possible to be able to experience virtual reality and be able to jump into the metaverse.” As a social future, he tells us you’ll “feel present with other people as if you were in other places, having different experiences that you couldn’t necessarily do on a 2D app or webpage, like dancing, for example, or different types of fitness… In the future… you’ll be able to sit as a hologram on my couch, or I’ll be able to sit as a hologram on your couch, and it’ll actually feel like we’re in the same place, even if we’re in different states or hundreds of miles apart.”(1)

Visions like this of a blended digital and material reality are becoming the touchstones for what the next stage of digital life might be. Decentraland is another example (2). Built on blockchain technologies, Decentraland claims to be “the first fully decentralized virtual world”, a place where you can purchase digital lots of land, trade non-fungible tokens, and co-produce an immersive digital infrastructure.

Now, through the vector of the pandemic, what might have until recently seem far-fetched may come together in a confluence of technology, history, and power to take hold as a pathway for our techno-social futures.

Whatever you may feel about this idea of the metaverse, and whatever its form or scale, it will in large part be image-makers that will design our experience of these new spaces. The question then turns to how we direct emergent technological capacities in a way that grasps what is at stake:

  • What might it mean for our particular and universal sense-making orientations? What counts for equivalent moral concern in the creation shared language of visual communication?
  • Via visual communication, how do we shape the ethics of virtual reality? Given all that we know about the power of data collection and the aestheticizing of digital spaces, what role do we play in their acceleration or resistance?
  • Where are the boundaries of public and private in the computational infrastructures and emergent governance architectures that we design? What will be the kinds of interdisciplinary design practices that we need as we focus our critical lenses on virtual infrastructures?

(1) https://www.bbc.com/news/technology-57942909
(2) https://decentraland.org/

Conference Themes

Theme One – The Form of the Image
Theme Two – Image Work
Theme Three – The Image in Society

A BLENDED CONFERENCE

For over 30 years, Common Ground has been invested in developing technologies that seek to break down barriers of access in scholarly communication. In each phase, we’ve built media platforms to support spaces for interdisciplinary dialogue, before such approaches were in vogue; connected international voices, when disciplines were too often isolated in national silos; and supported an agenda of access and equality, by offering pathways and opportunities for diverse voices.

We now propose another kind of intervention – to build a scholarly communication infrastructure for a blended future.

Our blended model seeks to transcend physical boundaries by offering a platform to extend in-person conference content online, while ensuring online-only delegates are afforded equal participatory and experiential spaces within the platform. At the same time, the model offers participants a legacy resource to which they can return in the Event application, with access to a social space in our Community application where fellow participants can keep connected long after the conference ends.

Our blended conference experience is delivered on the CGScholar platform – developed by the Common Ground Media Lab, the research and technology arm of Common Ground Research Networks.

IMPORTANT DATES

We welcome the submission of proposals at any time of the year. The dates below serve as a guideline for proposal submission based on our corresponding registration deadlines. All proposals will be reviewed within two to four weeks of submission.

You do not need to commit either to a place-based or virtual presentation at the time of submission. You can present both ways, or change your mode of the presentation if your preferences change.

Proposal Deadlines
Advance Proposal Deadline:  28 November 2021
Early Proposal Deadline:  28 February 2022
Regular Proposal Deadline:  28 June 2022
Late Proposal Deadline:  28 August 2022

Registration Deadlines
Advance Registration Deadline:  28 December 2021
Early Registration Deadline:  28 March 2022
Regular Registration Deadline:  28 August 2022
Late Registration Deadline:  28 September 2022

SUBMISSIONS

View our step-by-step guide to submitting a presentation proposal.

With this step-by-step guide, we walk you through the new phases pre/during/post-conference to ensure you have a productive blended conference.

PUBLISHING OPPORTUNITIES

The International Journal of the Image and Book Imprint offer pathways to transform your presentation into formal research objects. We also support a number of affordable Open Access pathways to allow maximum flexibility to support principles of open research, in a sustainable manner. Find out more about the The International Journal of the Image and Book Imprint.

RELATED CONFERENCES

We understand travel is difficult in the current climate. For this reason, we also offer related thematic events in our sister Research Networks that you might be able to attend in-person. This way we build for our Research Network Members flexible, and at the same time resilient, spaces for communication, engagement, and participation.

View other Common Ground Research Networks conferences:
https://cgnetworks.org/conferences/conference-calendar


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